The Getty Museum Assyrian Tablet Photogrammetry Scans

The Getty Museum Assyrian Tablet Photogrammetry Scans

The Getty Museum Assyrian Tablet Photogrammetry Scans

One of my last pre-lockdown adventures in March 2020 involved capturing the essence of two ancient Assyrian tablets at the Getty Villa through photogrammetry reconstruction. Picture this: a misty day, the Getty Villa closed to the public, and my wife and I were escorted through an underground passageway by Eric Bertoli. It felt like a bit of magic.

Having grown up visiting the Getty Villa, I’ve always had a deep appreciation for its architecture, artifacts, and the art gracing its halls. Photographing those tablets turned out to be a standout moment in my photogrammetry journey.

The challenge? No ladders were allowed, and I had to work with existing room lighting. Without a ladder, the tablet tops risked losing data points, while the limited lighting meant embracing long exposures. Armed with my trusty Sony A7Rii and Zeiss lenses – a 24mm and a 50mm – both sharp and reliable, I navigated the constraints. Shooting at ISO 200 with an f-stop of 5.6, I brought those ancient tablets to life in a way that truly stands out in my body of photogrammetry work.

A 360 Panorama of the Getty Museum Assyrian Tablet

The Getty Museum Assyrian Tablet Photogrammetry Scans

The Point Density of the Solved Photogrammetry Scans

The Getty Museum Assyrian Tablet Photogrammetry Scans
The Getty Museum Assyrian Tablet Photogrammetry Scans
The Getty Museum Assyrian Tablet Photogrammetry Scans
The Getty Museum Assyrian Tablet Photogrammetry Scans

Photographing the Tablets with a Sony A7 riii and a Zeiss Batis 25 mm

The Getty Museum Assyrian Tablet Photogrammetry Scans

The Getty Museum Assyrian Tablet Photogrammetry Scans
The Getty Museum Assyrian Tablet Photogrammetry Scans